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Puccini’s triptych of operas is cliché-ridden, though soprano Mané Galoyan steals the show
The controversial former Pink Floyd leader adds new lyrics and gravelly voiceovers but avoids politics
The self-described cultural ‘conduit’ on his debut solo album — and what the Windrush generation did for the UK
Violin concerto commissioned by Joshua Bell was joined by Copland’s Third Symphony
The violinist and his ensemble performed with foot-stamping pizzazz at the Music Center at Strathmore
Nirvana were also among the acts to put their stamp on this spectral, otherworldly number
Tech that really strikes a chord
Zakir Hussain’s Triple Concerto is an intricate meeting of musical traditions
The singer’s mesmerising show had the timeless feel of deep myth
Joyce DiDonato is lustrous in Jake Heggie’s opera, which tells of a nun-prisoner relationship
The second release from Charlie Hunter and Kurt Elling’s Grammy-nominated project crackles and soars
The pianist’s latest set ranges widely over the centuries, with works by Busoni, Bach, Berg and Liszt
The Walsall singer follows her meteoric rise to fame with a thoughtful follow-up to her 2018 debut
Collaboration with Aaron Dessner of The National puts the singer’s friends first
Birmingham Royal Ballet is on cracking form in a show that celebrates one of the city’s greatest musical exports
The singer mixed Hollywood-style glamour with south London attitude
Rising star’s sudden demise after raising maltreatment accusations puts genre in the spotlight
Director Claus Guth brings dancers, actors and sound effects to his staging of Schubert songs
Plus: light relief in L’elisir d’amore at London’s Royal Opera House
First recorded in 1939 and covered by acts such as Aretha Franklin and Johnny Cash, it’s a song for all seasons
Her new album celebrates her fascination with improvisation — and uses an ancient instrument
Textures of the late Japanese composer’s songs are radically reimagined, but the melodies shine through
The Californian’s lyrics have a sure ear for rhyme and range from crude to absurd
The lead single is no late-career fluke, even if this is not all vintage Kylie
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