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This Bollyood-inspired dance show is clichéd but energetic
Crystal Pite’s ‘Emergence’ is danced with grand precision, but is followed by an ill-advised piece
Frederick Ashton’s piece, danced here as part of a triple bill, is showing its age
The company delivers performances that exemplify the choreographer’s ideals
A Royal Ballet quadruple bill featured the bold sweep of Liam Scarlett’s new piece
The company’s programme presents three works, well danced but gloomy
The Royal Ballet is at its finest in Kenneth MacMillan’s dance drama
Two male dancers have dominated recent performances of Balanchine’s ballets
The choreographer’s early works reveal a man eager to mock conventions
Balanchine’s three dance movements were, like the gems that inspired them, flawless
English National Ballet’s dancers perform Pina Bausch’s choreography with integrity and intensity
The choreographer’s latest piece is a powerful evocation of fleeing hordes of humanity
Sergei Polunin’s triple bill marks his renewed engagement with dance
Contrasting interpretations of a mainstay of the Royal Ballet’s repertoire
An evening full of sound and fury — and soap-operatic predictability
A dancer with a prodigious rhythmic sense, in his imaginative verve and incandescent passion
This London staging of German Cornejo’s homage to tango is lacking in subtlety
Katja Khaniukova shines in a somewhat careworn production of the ballet
National Ballet of China’s staging of a 16th-century epic is dazzling and vivid
Peter Wright’s production is an enduring, endearing staging of a masterpiece
Rambert’s witty, allusive staging does justice to Haydn’s sublime oratorio
A strong, stylish performance of Alexander Whitley’s bravura study in making dance
A commanding performance from Natalia Osipova in MacMillan’s ballet
A crowd-pleasing ballroom dancing extravaganza from Burn the Floor
The ballet has featured memorable performances — including those of a pony
International Edition