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Director Christian Räth helps the piece to glitter at the SummerScape festival in upstate New York
A cherished gift from a Holocaust survivor illustrates the meaning of value for the conductor
Chausson’s opera has its first fully staged US production; plus an outdoor, overly amplified Barber of Seville
This half-theatrical, half-musical double-header was an unexpected success
The first US staging of Weber’s opera in a century should not be missed
An enterprising revival of Richard Strauss’s fascinating, frustrating, rarely performed opera
Sergei Taneyev’s monumental operatic interpretation of Aeschylus receives its US premiere
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