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The dancer reveals the gentle art of extreme violence
The taxing solo show at Sadler’s Wells about the horrors of war displays Khan’s expressive, dizzying skill
The production’s movement language is carefully devised but the characters are inadequately established
The ENB’s first world war commemoration, as seen from a female perspective, comprises three works similar in scale and mood
Plus: an interview with dancer-choreographer Akram Khan
Khan’s solo piece is inspired by the experiences of Indian soldiers in the first world war
‘I had Michael Jackson’s jacket from the “Thriller” video. I wore it everywhere’
Akram Khan’s ballet is terrifically danced, though weaknesses remain
Dizzying Kathak moves combine with powerful sound and visuals but the absence of Khan himself is felt
The production is packed with unforgettable images but the story could be more clearly told
This first world war tribute was danced with sincerity
Akram Khan and Israel Galván return with their confrontation between flamenco and kathak dance
Leading figures from business, politics and the arts share their holiday plans
International Edition