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The artist used his home as a test-bed for concretising the intimate relationship between art and architecture, sculpture and space
Exhibitors welcome return of fairs; Edel Assanti gallery doubles up; Raducanu brings it home — for Frieze’s owner
The high priest of minimalism is well-suited to an empty museum, free from the usual blockbuster crowds
As MoMA opens a major retrospective of the American minimalist Donald Judd, Rima Suqi looks at how the remote desert town became a cultural hub
This remote desert retreat harbours both creative spirits and mysterious skies
Local gallerists put on a show for ‘the only time we have a truly international crowd’
Galerie Gmurzynska’s Zurich show explores the artists’ formal similarities and spiritual differences
Plus: upcoming auctions and events
Romantic awe tussles with cold irony in an eclectic display of landscape photography
This year’s Biennale comes amid an explosion of gallery openings and exhibitions
Two bodies of mostly unshown works force a head-on confrontation between early and late Twombly
The 86-year-old American artist on showing in Europe, and staying at home
The conceptual artist has launched a foundation in France, featuring work from a 100-strong collection, along with his own pieces
A seriously charming and richly allusive installation has appeared on the roof of the Met
Crises can foster ingenious solutions for cities during a period of industry decline
Donald Judd renovated the 19th-century cast-iron building in SoHo New York and transformed it into his home-cum-studio
Manhattan’s can-do spirit impresses Laurent Claquin, head of Kering Americas
Donald Judd embraced a ruined SoHo block and made it his own. Now it has become a space to inspire others
How Rudolph and Hannelore Schulhof, refugees from Nazi Europe, built a collection worthy of the Guggenheim
Twins Gert and Uwe Tobias’ puzzle-like work comes to Florida
Tate Modern has converted giant former fuel tanks into underground chambers for dance, film and installations
Frieze New York comes at a crucial moment on both the commercial and cultural fronts
A gallerist’s private collection illuminates the long apprenticeship of a master painter
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