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Wordless vocalisations and shimmering soundscapes devised with Darkside’s Dave Harrington make for chilled-out listening
The Canadian sings with considerable presence on her ninth studio album
Miles Davis’s version was one of the first successful jazz covers of a new-wave pop song
Where does the democratisation of taste leave Celine Dion?
Glossy, strident, exhaustingly self-important, the singer’s seventh studio album is her postpartum record
Claire Boucher plays arty, gothicky electropop
Stripping the bank boss of his chairman role is not such a victory
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