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Film

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  • Thursday, 26 May, 2022
    Review
    Tom Cruise is back in the cockpit for humdinger spectacle Top Gun: Maverick

    Thirty-six years later, the star returns to his fighter pilot role in a richly satisfying blockbuster

    3 hours ago
  • Wednesday, 25 May, 2022
    The best of Cannes Film Festival 2022
    Cannes review quick bites: Dardennes’ migration drama Tori and Lokita

    Also reviewed: Park Chan-wook’s satisfying noir Decision to Leave

  • Wednesday, 25 May, 2022
    Television
    From The Simpsons to Bob’s Burgers, voice actors are the unseen stars of the screen

    Since Bugs Bunny they have been underrated, but Nancy Cartwright, who plays Bart Simpson, says things are changing

  • Tuesday, 24 May, 2022
    Cannes Film Festival 2022
    Crimes of the Future, Cannes review — David Cronenberg returns to his body-horror roots

    Viggo Mortensen, Léa Seydoux and Kristen Stewart star in the tale of a man whose party trick is having his organs cut out

  • Tuesday, 24 May, 2022
    Review
    The best of Cannes Film Festival 2022
  • Monday, 23 May, 2022
    Cannes Film Festival 2022
    Five stars for Aftersun at Cannes — a subtle summer marvel

    ‘Normal People’ star Paul Mescal charms in a graceful, sun-kissed story about a father and a daughter

  • Monday, 23 May, 2022
    Cannes Film Festival 2022
    Three Thousand Years of Longing, Cannes review — Idris Elba’s genie casts the perfect spell

    George Miller directs Elba and a buttoned-down Tilda Swinton in a kaleidoscopic, warm-hearted fantasy epic

  • Monday, 23 May, 2022
    Cannes Film Festival 2022
    Triangle of Sadness, Cannes review — bloated satire takes fitfully funny aim at fashion

    Palme d’Or-winner Ruben Östlund returns with perfect pecs, vom-com and Woody Harrelson at sea

  • Friday, 20 May, 2022
    Jan Dalley
    No place left for nuance with Roe vs Wade

    New films about the fight for women’s rights offer deeply felt, careful contributions to the debate on abortion — but will they change anyone’s mind?

  • Thursday, 19 May, 2022
    Cannes Film Festival 2022
    Cannes Film Festival kicks off with Zelensky, Tom Cruise and African heroism

    Early reviews of Russian drama ‘Tchaikovsky’s Wife’, French-Senegalese war movie ‘Father and Soldier’ and New York coming-of-age tale ‘Armageddon Time’

  • Thursday, 19 May, 2022
    Review
    Six films to watch this week

    ‘Benediction’ is a moving portrait of Siegfried Sassoon; ‘Emergency’ gives a twist to the college romp; magic realism in ‘The Innocents’; Arnaud Desplechin adapts Philip Roth’s ‘Deception’; Michelle Yeoh stars in ‘Everything Everywhere All At Once’; ‘Vortex’ is a the story of a dying couple — all reviewed by Danny Leigh

  • Thursday, 19 May, 2022
    Six films to watch this week
    Deception — another film inspired by Philip Roth fails to excite

    A misjudged take by Arnaud Desplechin on the novelist’s 1990 book stars Léa Seydoux

  • Thursday, 19 May, 2022
    Six films to watch this week
    Sharp-witted Emergency is a riotous college romp with a twist

    A last night of hedonism is disrupted in this astringent yet comic film

  • Thursday, 19 May, 2022
    Six films to watch this week
    Benediction is a vividly moving portrait of Siegfried Sassoon

    War is ever present in Terence Davies’s film of the poet’s life

  • Thursday, 19 May, 2022
    Six films to watch this week
    The Innocents review — Oslo-set story of midsummer magic realism

    Canny visual storyteller Eskil Vogt blurs horror with the Proustian stuff of everyday childhood

  • Monday, 16 May, 2022
    ReviewArts
    Mark Kermode and Simon Mayo’s podcast — new platform, old magic

    The pair review television as well as films in their new series for Sony

  • Sunday, 15 May, 2022
    Fashion
    Move over actors — what will the directors wear at Cannes?

    Those behind the camera often have the most interesting style

  • Thursday, 12 May, 2022
    Review
    The Drover’s Wife review — an Australian period drama of widescreen confidence

    Leah Purcell writes, directs and stars as a mother going it alone, who takes in an Indigenous man accused of murder

  • Thursday, 12 May, 2022
    Review
    Father Stu review — Mark Wahlberg hangs up his gloves for God

    The star’s charisma propels the story of a fighter turned actor who longs to become a priest

  • Thursday, 12 May, 2022
    Six films to watch this week
    Vortex review — portrait of a dying couple has huge emotional power

    Director Gaspar Noé puts aside his usual shock tactics to contemplate the dying of the light with mournful restraint

  • Thursday, 12 May, 2022
    Six films to watch this week
    Everything Everywhere All At Once review — wildly ambitious, furiously original

    Michelle Yeoh plays a suburban mom thrust into the multiverse in a mix of martial arts, family drama and existential panic

  • Tuesday, 10 May, 2022
    Interview
    Action movie star Michelle Yeoh: ‘Good storytelling transcends race’

    The Malaysian actress on changes in Hollywood and turning to surreal comedy in the surprise indie hit ‘Everything Everywhere All At Once’

  • Friday, 6 May, 2022
    Jan Dalley
    The intimate business of sex on screen

    What does the advent of ‘intimacy co-ordinators’ say about our changing attitudes?

  • Friday, 6 May, 2022
    FT MagazineRobert Shrimsley
    Enough Star Wars and Marvel spin-offs: here are seven worth making

    How about ‘When Harry Left Sally’? Or maybe something from ‘The Godfather’ cinematic universe?

  • Thursday, 5 May, 2022
    Review
    The Contractor — brisk thriller set in the murky world of the private military

    Chris Pine convinces as an injured US special forces soldier left out in the cold

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