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A mixed bill at Théâtre de la Ville illustrated the company’s journey into contemporary dance
The duo perform a double bill, plus twinned pieces from House of Absolute and Matsena Productions
Vadim Muntagirov and Marianela Núñez reassert the choreographer’s genius in a sparkling programme
Scottish Ballet’s ‘Scandal at Mayerling’ is a slimmed-down but no less exciting version of Kenneth MacMillan’s original
As well as the choreographer’s Angels’ Atlas, the programme included Marco Goecke’s Almost Blue
His adaptation struggles with drab costumes and a flat narrative. Plus: an immersive VR show at the Barbican
A programme of the choreographer’s recent work left the audience tipsy with delight at Sadler’s Wells
The two ensembles perform double bills of new material on their UK tours
Programme at London’s Royal Opera House included a world premiere by Kyle Abraham
The London festival aims to recover late-20th-century pieces, such as Trisha Brown’s ‘Set and Reset’
Loïe Fuller’s shows wowed 1890s-1900s audiences — and have inspired a new series at London’s Royal Opera House
Fumi Kaneko danced her first Odette/Odile alongside Federico Bonelli, who is leaving the company after 19 years
His prose could be scorching, but his love of dance was limitless and his knowledge astounding
Mathias Dingman, Marianela Núñez and Vadim Muntagirov are among the star dancers in this sunny and attractive production at the Hippodrome
The troupe’s training is showcased at Sadler’s Wells despite a frustratingly uneven programme
The English National Ballet’s departing artistic director brings a Crusader story into the 19th century
Plus: Theatre Re’s mysterious Bluebelle; magical puppetry in The Red Balloon; dance and breadmaking in (le) PAIN
It may not feel like it right now, but we’ll dance again. In the meantime we asked eight photographers to share their stories
Pandemic uncertainty still rocks the arts but there is plenty to look forward to in a year of cultural highlights
The life and work of the choreographer are illuminated in archive footage and his own words
She generously shared the spotlight with other artists at the Festival d’Automne à Paris
Its recreation of Nijinsky’s groundbreaking 1913 choreography for ‘The Rite of Spring’ is urgent and insightful
Having dynamited his career in 2012, the dancer is back in London with streamlined Shakespeare
The taxing solo show at Sadler’s Wells about the horrors of war displays Khan’s expressive, dizzying skill
A murky eco-retelling of the Gilgamesh story lets down its superb dancers at Sadler’s Wells
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