Further evidence of the dynamism of Paris comes with the launch of a new specialist art fair, Opus — Ancient Arts (October 13-16). “There was no longer any great fair specialising in antiquities,” says Olivier Auquier of organisers Gus Adler & Filles, the team behind the Bourgogne Tribal Show, which introduced ancient art to its mix three years ago. “Understandably, dealers, curators and collectors wanted to gather once more for their own event.”

This inaugural edition brings together a select group of just nine respected dealers offering a range of Egyptian, Near Eastern, classical and pre-Columbian art. Its venue is the chic Galerie Joseph in the heart of the Marais — a space more associated with contemporary art and catwalk shows.

This is a bold move from an antiquities trade recently rocked by allegations that some senior individuals in the French cultural sector colluded in the illicit trafficking of works destined for the Louvre Abu Dhabi. “We felt it was important to move fast and make a stand. Most professionals in the field are honest and work with complete integrity,” says Auquier. “It is extremely important to us to be as transparent as possible and create an environment of trust.” He cites the strict criteria governing exhibits, the fair’s independent vetting committee and its partnership with the Art Loss Register.

Marble head of a teenage boy with heavy frizzy hair and no nose
A late fifth-century BC Greek head of a youth at Galerie Cahn © Jean-David Cahn
A small orange pot with a man’s head at the front above two thick legs
A sitting-man tripod ceremonial vase from the kingdom of Nicoya in Nicaragua (AD1200-1400) at Galerie Furstenberg © Galerie Furstenberg. Photo: Michel Gurfinkel

As for exhibits, expect anything from the likes of a well-provenanced classical Greek head of a youth of the late fifth century BC (Galerie Cahn) to a pale green faience ushabti funerary figure in the name of Neferibresaneith, Wab-Priest of the King, from 26th-dynasty Egypt (Galerie Antonia Eberwein). You might also find a painted terracotta tripod ceremonial vase in the form of a seated man from the kingdom of Nicoya, Nicaragua, AD1200-1400 (Galerie Furstenberg).

Perhaps less expected will be the collection of Roman erotica at Plektron Fine Arts — oil lamps, amulet pendants, vases, statuettes and phalluses in glass and terracotta. Maison Auclert offers ancient jewels reimagined and mounted in resolutely modern settings, not least an “important” blue chalcedony intaglio engraved with a representation of Aphrodite.

A large vase with wide neck and two looping handles. The vase is red with black figures
An Attic black-figure neck-amphora (c530-520BC) at Plektron Fine Arts © Photo: Fotoatelier Schälchli

The hope is to attract new or young collectors as well as seasoned buyers. To that end, several exhibitors — Laurent Dodier, ARTEAS and Alexander Ancient Art among them — are bringing a selection of objects priced at less than €1,000. For Alexander Biesbroek of Alexander Ancient Art, accessibility is not simply a question of price. “My main motivation for presenting objects is ‘narrative’,” he says. “Each object must tell a story, or at least allow me to tell a story about them.”


Copyright The Financial Times Limited 2024. All rights reserved.
Reuse this content (opens in new window) CommentsJump to comments section

Follow the topics in this article