This week, Gris talks to the brilliant 30-year-old playwright Jeremy O Harris about his Broadway sensation Slave Play and his autobiographical "Daddy". This is an interview that will stick with you for a long time. They discuss how black art is re-packaged by white institutions, how black and white audiences respond differently to his work, and how to make theatre more accessible — both for quarantine and for younger audiences (Harris is also an executive producer on Euphoria). Plus: a special appearance from Phoebe Waller Bridge!

As always, we want to hear from you. This week, we'd love to know what gems the Netflix algorithm is hiding from us. What are you streaming that we should be watching? We'll publish your list! Fill out our short form at, or email us at f you want to get social, we're on Twitter @FTCultureCall and Instagram at @griseldamurraybrown and @lilahrap.

Links and notes from the episode:

–A special gift from us to you: sign up to the FT's Coronavirus Business Update newsletter and get free access to our journalism for 30 days!

–The recipe for kuku sabzi, a delicious Persian frittata:

–A great piece about Jenny Odell's How To Do Nothing:

–Wesley Morris on ESPN's The Last Dance

–(More Wesley Morris content) Still Processing dissects Tiger King:

–FT review of Becoming on Netflix (paywall):

–Aisha Harris' review of Slave Play:

–Slave Play's set designer on the choice behind the onstage mirror:

–Genre defying women that Jeremy mentioned: Aphra Behn, Caryl Churchill, Suzan-Lori Parks

–Jeremy's recommendation of Perfect Blue by Satochi Kon:

–Jeremy on Instagram:


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