Mary Sibande: ‘If South Africans didn’t get angry, nothing would get done’In the artist’s first UK solo show, the figure of the domestic worker becomes a political symbolAnna Maria Maiolino: ‘I’m not an artist you can pigeonhole’As a six-decade survey opens at London’s Whitechapel Gallery, the Brazilian artist looks back on a many-faceted careerBest of the Frieze week satellite fairs: Sunday and MonikerThe Moniker urban art fair moves to Chelsea, and painting dominates at Sunday fairKara Walker at Tate Modern — a fierce, funny diatribe against the British empireThe US artist’s faux-Baroque fountain in the Turbine Hall takes aim both at British imperial monuments and Confederate statuesStrong sales despite Brexit nerves — PAD London fair 2019Dealers say collectors are moving design pieces from London to continental Europe in case they want to sell in futureTheaster Gates on selfish energy and hopeful architectureThe multitalented artist lays out his vision at Frieze’s annual Art & Architecture Summit in LondonMore from this SeriesAre art fairs facing new challenges?The international art fair scene is growing but financial strain and ‘fairtigue’ may cause troubleCaptured on canvas: portraits at Frieze MastersMarlborough Gallery’s group exhibition explores the charged relationship between artist and sitterMing Smith: ‘Being a black woman photographer was like being nobody’Ahead of her solo show at Frieze Masters, the African American photographer discusses her work and the effect of racial biasHow textiles tell a story of empire and globalisationFabric work is enjoying a revival, as artists use it to explore imperial histories, feminist politics and queer aestheticsFour exhibitions bring African American narratives to LondonA group of black artists including Derek Fordjour and Kara Walker is re-energising figurative art with political worksCollector Alex Petalas: ‘The art world is a daunting place’The 38-year-old discusses his new private art space in London which includes work by Eva Rothschild and Martin CreedArt with a conscience: Goodman Gallery opens in LondonThe co-directors of the South African gallery’s new branch discuss their mission for social changeBusiness as usual for Sotheby’s auctions in Hong KongPlus: Frieze’s augmented realities; dismal figures for female artists; how Albert Oehlen is testing painting’s limitsHow do you put a price on a Botticelli?A portrait by the Renaissance artist could become the most expensive work to sell at Frieze Masters if its $30m price tag is metCan the arts help save the planet?With its calendar of international fairs, the art world has a serious carbon footprint. Simply ‘raising awareness’ is no longer enoughThe sparkling heritage of British art schoolsA new exhibition at Waddington Custot celebrates a cultural education, looking back at London’s art scene between 1960 and 1990Artist Ibrahim El-Salahi: ‘When I work, I don’t feel pain at all’The 89-year-old Sudanese artist reflects on an extraordinary career ahead of new work being shown at the 1-54 Fair in LondonThe Great Animal Orchestra — collecting the sounds of endangered livesOver the course of his life, 80-year-old Bernie Krause has recorded some 15,000 animal species in their natural habitatsThe art behind Cuban propagandaOn show at London’s House of Illustration, a vast collection of Cuban cold war graphics tells a vivid storyCurator Amin Jaffer: ‘There are endless possibilities for learning’The new Frieze Masters co-curator specialises in projects that pose eastern against western ways of seeing
Mary Sibande: ‘If South Africans didn’t get angry, nothing would get done’In the artist’s first UK solo show, the figure of the domestic worker becomes a political symbolAnna Maria Maiolino: ‘I’m not an artist you can pigeonhole’As a six-decade survey opens at London’s Whitechapel Gallery, the Brazilian artist looks back on a many-faceted careerBest of the Frieze week satellite fairs: Sunday and MonikerThe Moniker urban art fair moves to Chelsea, and painting dominates at Sunday fairKara Walker at Tate Modern — a fierce, funny diatribe against the British empireThe US artist’s faux-Baroque fountain in the Turbine Hall takes aim both at British imperial monuments and Confederate statuesStrong sales despite Brexit nerves — PAD London fair 2019Dealers say collectors are moving design pieces from London to continental Europe in case they want to sell in futureTheaster Gates on selfish energy and hopeful architectureThe multitalented artist lays out his vision at Frieze’s annual Art & Architecture Summit in LondonMore from this SeriesAre art fairs facing new challenges?The international art fair scene is growing but financial strain and ‘fairtigue’ may cause troubleCaptured on canvas: portraits at Frieze MastersMarlborough Gallery’s group exhibition explores the charged relationship between artist and sitterMing Smith: ‘Being a black woman photographer was like being nobody’Ahead of her solo show at Frieze Masters, the African American photographer discusses her work and the effect of racial biasHow textiles tell a story of empire and globalisationFabric work is enjoying a revival, as artists use it to explore imperial histories, feminist politics and queer aestheticsFour exhibitions bring African American narratives to LondonA group of black artists including Derek Fordjour and Kara Walker is re-energising figurative art with political worksCollector Alex Petalas: ‘The art world is a daunting place’The 38-year-old discusses his new private art space in London which includes work by Eva Rothschild and Martin CreedArt with a conscience: Goodman Gallery opens in LondonThe co-directors of the South African gallery’s new branch discuss their mission for social changeBusiness as usual for Sotheby’s auctions in Hong KongPlus: Frieze’s augmented realities; dismal figures for female artists; how Albert Oehlen is testing painting’s limitsHow do you put a price on a Botticelli?A portrait by the Renaissance artist could become the most expensive work to sell at Frieze Masters if its $30m price tag is metCan the arts help save the planet?With its calendar of international fairs, the art world has a serious carbon footprint. Simply ‘raising awareness’ is no longer enoughThe sparkling heritage of British art schoolsA new exhibition at Waddington Custot celebrates a cultural education, looking back at London’s art scene between 1960 and 1990Artist Ibrahim El-Salahi: ‘When I work, I don’t feel pain at all’The 89-year-old Sudanese artist reflects on an extraordinary career ahead of new work being shown at the 1-54 Fair in LondonThe Great Animal Orchestra — collecting the sounds of endangered livesOver the course of his life, 80-year-old Bernie Krause has recorded some 15,000 animal species in their natural habitatsThe art behind Cuban propagandaOn show at London’s House of Illustration, a vast collection of Cuban cold war graphics tells a vivid storyCurator Amin Jaffer: ‘There are endless possibilities for learning’The new Frieze Masters co-curator specialises in projects that pose eastern against western ways of seeing