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Albums

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  • Friday, 19 February, 2021
    Review
    Ghetts seizes his moment with his boldly conceived Conflict of Interest

    The rapper translates multiple strands of his life into a coherent work of drama

  • Friday, 19 February, 2021
    Review
    Pauline Anna Strom: Angel Tears in Sunlight — comeback turned valediction

    The electronic musician returns with a mesmerising, and now posthumous, album

  • Friday, 19 February, 2021
    Review
    Sal Dulu: Xompulse — expert craftsmanship

    The producer’s debut album has a nocturnal feel, anchored to an instrumental hip-hop bedrock

  • Friday, 19 February, 2021
    Review
    Altin Gün: Yol — mixing tradition with full retro-futurism

    The Netherlands-based group recreate a past that never actually happened

  • Friday, 19 February, 2021
    Review
    Sinfonia of London: English Music for Strings — a showpiece disc

    Performances of the works of four composers are delivered with panache

  • Friday, 19 February, 2021
    Review
    R+R=Now deliver a thrilling, supercharged live album

    The Robert Glasper-led group give tracks from a previous studio album a dynamic thrust

  • Friday, 12 February, 2021
    Review
    Slowthai’s Tyron feels unfocused and indecisive

    The rapper’s new album attempts to show different aspects of his personality but is let down by scrappy songwriting

  • Friday, 12 February, 2021
    Review
    Django Django: Glowing in the Dark — deliriously enjoyable

    The London four piece’s fourth album shows that their exuberant sound remains as engaging as ever

  • Friday, 12 February, 2021
    Review
    The Weather Station expand on ecological themes in Ignorance

    From climate change to love, Tamara Lindeman’s songs tell stories of deliberate states of unawareness

  • Promoted Content
  • Friday, 12 February, 2021
    Review
    Karen Matheson: Still Time — intimate songs for a slowed-down world

    The Scottish folk singer combines the traditional and the new to reflect on current times

  • Friday, 12 February, 2021
    Review
    Janinah Burnett: Love the Color of Your Butterfly — an unlikely musical blend pays off

    The soprano shifts gears impressively between jazz standards and opera arias

  • Friday, 12 February, 2021
    Review
    The Academy of Ancient Music give a fizzing performance in Eccles: Semele

    This first professional recording on period instruments marks a step forward for the 1705 opera

  • Friday, 5 February, 2021
    Review
    Arlo Parks: Collapsed in Sunbeams — deceptively straightforward

    There are deep currents beneath the easy musical flow of the Londoner’s debut album

  • Friday, 5 February, 2021
    Review
    Black Country, New Road forge their own path with For the First Time

    The seven-piece’s debut album mixes periods of reflective calm into frantic action

  • Friday, 5 February, 2021
    Review
    Foo Fighters: Medicine at Midnight — an ill-suited stylistic shift

    The band’s attempt at a new direction into the usual singalong hard-rock proves to be a misstep

  • Friday, 5 February, 2021
    Review
    Various artists: Indaba Is — meditations on post-apartheid South Africa

    Gauteng’s leading jazz musicians come together to address the state of the nation on this compilation album

  • Friday, 5 February, 2021
    Review
    Binker and Moses: Escape the Flames — intense and impressively controlled

    The sax-and-drum duo compress a multitude of styles into this live album

  • Friday, 5 February, 2021
    Review
    Philadelphia Orchestra’s Rachmaninoff: Symphony No. 1 — a virtuoso display

    Yannick Nézet-Séguin conducts a performance of tremendous drive and lyrical beauty

  • Friday, 29 January, 2021
    Review
    The Paradox: Counter Active — exploratory but self-assured

    Jeff Mills and Jean-Philippe Dary retain a sense of calm as the intensity grows throughout their album

  • Friday, 29 January, 2021
    Review
    Goat Girl’s On All Fours marks a confident stride forward

    The post-punk band’s second album is broader in scope and more detailed

  • Friday, 29 January, 2021
    Review
    John Mayall: The First Generation — the godfather of British blues

    The 87-year-old artist has released a vast collection for the committed fan

  • Friday, 29 January, 2021
    Review
    Femi Kuti and Made Kuti: Legacy + — multigenerational Afrobeat

    Father and son continue a family tradition of attacking Nigeria’s corruption in a double album

  • Friday, 29 January, 2021
    Review
    Joe Lovano’s Trio Tapestry: Garden of Expression — ethereal tonalities

    The American’s floaty tenor sax is complemented by ambient textures from piano and drums

  • Friday, 29 January, 2021
    Review
    Violins of Hope: Live at Kohl Mansion tells the story of Jewish musicians

    This moving album features performances with instruments owned during the Holocaust

  • Friday, 22 January, 2021
    Review
    Wardruna: Kvitravn — a stirring, cinematic imagining of Norse culture

    Traditional instruments set to sound effects create a sense of huge elemental drama

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